Little Angel II

Little Angel II, 2002

polyester, steel

height 149 cm

Angel II – the part of the original trilogy of angel statues. A work that was partly inspired by various angel sculptures, while writing my thesis on the subject (inspiration from the 19th century – Bouguereau, sculptural realism, Gormley, Wenders, my grandmother’s holy pictures, and even Nabokov’s Lolita). Again, I wanted to leave the viewer in their hidden, unspoken associations and perhaps even in their perversion.

Photos: Ivan Pinkava and Klára Řezníčková

Little Angel I

Little Angel I, 2001

polyester

57 x 22 x 25 cm

Angel I – I modeled him partly from memory, partly from my friend’s two-year-old daughter. In the process, I simplified my ideas about his final form. He was to be nothing more than a sleeping child on the floor, curled up in a “ball” like a little bug. The viewer’s association after the utterance of even a joking idea can have all sorts of consequences. Like a pushed away “thing”, a lying child gives one the impression of being hurt, something that is extra and unwanted. At the same time, metaphorically, the child-angel is my idea of immaculate innocence, which, however, through various influences can become the opposite or the real devil. The ambiguity here is a what-if problem that has long interested me. Another variant of the statue is the statue “Morning Star” from 2011 (see The statue “Morning Star”).

Mr. Václav Stratil

Mr. Václav Stratil, 2000

polyester, acrylic

height 170 cm

Portrait of Mr. Václav Stratil – a modeled portrait of the FaVU pedagogue in clay BUT in Brno and the artist Václav Stratil, subsequently cast from polyester and laminate. Originally just a challenge from one of my classmates, it turned into something performance and action. I gradually spent almost a year studying the body of Václav Stratil. In retrospect, it could be said that it was about a kind of documentation of his physiognomy (Václav changed his weight several times), but also a very unique work, the goal of which was a portrait a distinctive artist in the attitude of his creative process. But that was only part of it the whole work, which also had other overlaps with impacts on my other work in next years. To this day, the conversations that we had when we worked together with Václav are unforgettable for me, and they became very important to me, inspiring and, in a way, he became another mentor to me. During work, I also started to deal with the variability of the surfaces of the sculpture and its colors. To a certain extent, the artist Milan Kozelka also intervened here at some point, who filmed this event on video and helped me create visualizations of surfaces of the emerging sculpture (these materials were exhibited only as a part earlier student theses and unfortunately have not been recovered). The portrait of Václav Stratil became the content of my bachelor’s thesis and the defense took place as a unique performance, with the final question of the portrayed Václav Stratil in the role of the opponent: “Does it still make sense to do statues like this?”

THE FINAL FORM OF THE STATUE

MODELLING THE PORTRAIT OF VÁCLAV STRATIL

DESIGNS OF SURFACES AND COLOR SOLUTIONS

Designs of the surfaces and color solution of the statue of Václav Stratil, graphic editing on Macintosh Quadra, Adobe Photoshop and Illustrator 5.0, collaboration with former students of the graphic design studio FaVU BUT in Brno, fragments of graphic images, 1999-2000.

The designs were created under the influence of period enthusiasm and even euphoria from the new possibilities of computer graphics. At the end of the nineties, the Internet in the Czech Republic was just at the beginning of its expansion, and graphic programs were becoming a powerful tool not only for designers. It was during my work on the portrait of Václav Stratil that I managed to test the possibilities of new graphic technologies and visualizations thanks to my classmates from the graphic design studio FaVU VUT in Brno. From today’s point of view, this is already a banal and long-overdue matter, but at the time the possibilities of these programs seemed like a revelation, they were just becoming technological classics.

The Ecstasy

The Ecstasy, 2001

polyester, glass, steel

104 x 60 x 55 cm

The Ecstasy – one of the first sculptures I created inspired by the yoga asanas. It was inspired by the yoga asanas and tried to express my experience through the composition and conception of the work. A shift in composition towards the inner imagery of feeling in the realization of yoga, along with the principles of figuralism. The work is part of a kind of triptych – a group of three sculptures – The Catharsis, The Meditation, and this particular sculpture – The Ecstasy.

Photos: Ivan Pinkava